deconstructionism: the most sincere form of self criticism ex04 recorded by andre sanabria at excommunicate then returning to red room studios with andrew gormley to finish tracking and mixing; mastered by james plotkin (khanate, phantomsmasher) this is the evolution of blowupnihilist in 2009. "It's dangerous to become too absorbed in Blowupnihilist's music. Those captivatingly eerie, ambient waves yield to harsh, grinding metal. It's like getting lulled into a daydream by the repetitive clamor on an assembly line, only to be jolted by the abrupt, bloody realization that your hand has become lodged in the machinery. The Seattle, Washington, act combines industrial rhythms, crackling feedback, violent screams and wind-tunnel distortion, recalling the most chaotic bits from Nine Inch Nails' "Wish" without any hint of that group's more melodic material." - Andrew Miller (The Pitch Kansas City, MO) released in 2009 
SOLD OUT! Possible repressing fall of 2011 
the ghastly paraphernalia of our beneficial trade ex03 recorded by andrew gormley at the red room in seattle; other band who've recorded at the red room include the helm, narrows, these arms are snakes, mouth of the architect, minus the bear; mastered by alan douches (black dice, converge, pig destroyer, dillinger escape plan); fifteen tracks of dark psychedelic genre bending experimental grindcore, noise and ambiance; this is the debut album from blowupnihilist. "You don't have to look any further than Vancouver, WA, for digital-leaning heavy music. Blowupnihilist plays with the intensity of Genghis Tron, and does so with only one member. Is that reason enough to listen? No, reason enough is The Ghastly Paraphernalia of Our Beneficial Trade, blowupnihilist's throat-cutting 2006 album that should sit near Board up the House in any locally minded, open-to-digital metal fan's collection." - MM (The Mercury Portland, OR) released in 2006 SOLD OUT! Interpunk still has a couple copies left. 
